Studio One Pro
- мощный, профессиональный аудио/MIDI-секвенсор, снабжен не только всеми профессиональными функциями, необходимыми музыканту и аранжировщику в процессе производства музыки, но и некоторыми новыми разработками, выделяющими эту программу из ряда традиционных аудио-приложений.
PC - Присутствует; MAC - Вылечено
Mac OS X 10.5.2 or higher
PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor
1 GB RAM
PowerPC G5 or better or Intel Core Duo or Intel Xeon processor or better
2 GB or more RAM
Windows XP, Windows Vista, and Windows 7
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion)
1 GB RAM
Intel Pentium 4 2.8 GHz EM64T or better or AMD Athlon 64 3000+ or better
2 GB or more RAM
В основе работы Studio One Pro
лежит механизм автоматического переключения между 32 и 64 битной разрядностью вычислений с плавающей запятой.
поддерживает форматы плагинов ReWire
, включая новую спецификацию VST3
. Так же к этому можно добавить автоматическую компенсацию задержки, которая сохраняет синхронизацию треков независимо от количества и типа применяемых плагинов. В комплект Studio One
входит набор плагинов Native Effects Suite фирмы PreSonus
, объединяющий разнообразные эффекты: эквалайзеры, компрессоры, эффекты задержки, комбо усилители, модуляция, реверберация) и три новых виртуальных инструмента, в том числе сэмплер Sample One. Все плагины работают с разрядностью 64 бит с плавающей запятой двойной точности.
1. Установите программу
2. Переместите лекарство в папку с программой
3. Выберете "Activate Offline" и используйте файл лицензии
* У кого до этого уже был установлен Studio One, скорее всего понадобится просто переместить лекарство
в директорию программы.
Top Ten Studio One v1.6 Features:
• Integrated Video Playback via QuickTime
• SoundCloud integration (www.soundcloud.com) for instant uploading of songs to web sites, FaceBook, etc. without exiting Studio One
• Key Command Editor a?” Easily create custom key command maps
• 64-bit Vista/7 and Snow Leopard operation
• Improved Automation Editing with Draw Figures (Line, Parabola, Square, Triangle, Saw, Sine) and manipulate with unique Transform tool
• Drag to Browser functionality a?” The Browser is now a 'two-way street', drag inserts to store presets/fx chains, drag audio events to bounce files to a location, drag instrument parts to bounce midi files to a location
• New Plug-ins, Content, and existing Effect and Instrument Improvements
- Impact now has multiple velocity layers
- Presence now has Multi-FX Section
- New Scope and Level Meter plug-ins
- Pipeline has a unique integrated scope to calibrate signal path latency
- Automatable Bypass for insert effects
- Tons of new presets for built-in effects
- Over 2 GB new content for all users
• Export Stems - Easily bounce any combination of Audio/Instrument Tracks, Buses, or FX channels
• Editing improvements across the board such as unlimited Undo History (even after you've saved!), Event position constrain when dragging between tracks, New Split at Cursor command, new musical functions, etc
• Support for Apple Loops (CAF files, OS X only), and REX file
Those who create sound for picture will be delighted with the new video features. You can now import any QuickTime video into a Song for playback and sync, with adjustable video playback size and time offset. Simply drag-and-drop the video from the Browser into the arrangement to import it and, optionally, simultaneously extract the audio from the video and place it on a new audio track. A new Follow Edit Position helps sync to specific video frames by adjusting the playback-cursor position based on the current edit position.
Browser drag-and-drop functionality has improved significantly. Drag an audio event to a location in the File Browser to instantly export a new audio file to that location. Drag an Instrument Part to the File Browser to export a MIDI clip to a specific location on your drive. Drag any insert effect or virtual instrument from the Device Rack to the Effects or Instruments Browser to store a preset for the effect or instrument; alternatively, drag to the File Browser to export the preset to a specific location on your drive.
You can now draw automation waveforms, and automation points are locked to selected events, so automation moves with the related events. A transform function lets you scale, stretch, and otherwise modify automation envelopes. An Undo history enables viewing and undoing all edits done since the file was opened, even if you have saved since then. A pitch-name editor is available in the drum layout, and you can save and load names from a pitch-name list.
Version 1.5/1.6 adds a new key-command editor with Search and Learn features for creating and modifying keyboard shortcuts. The search feature finds specific key commands and shows which functions they trigger and also finds specified functions and displays the key commands to which they are assigned.
Studio One now uses dynamic timestretching to change tempos within an event, rather than having to slice the event into separate events with different tempos. Constrain position when dragging events between tracks within a defined range, use a keyboard shortcut to fast-forward and rewind by measures, and accelerate scrolling while dragging with the new Turbo mode. When you select a region on a track, you can now extend the selection using Shift and the Up/Down arrow keys. When you select and remove a range in the Edit menu, the time in between regions will be deleted and the regions will snap together.
Album and Song Art can now be added to the Project and will be included in any exported Digital Release. A new menu item enables you to upload songs, art, and metadata to the SoundCloud Web service directly from Studio One.
Support for REX files also has been added. If you right-click a REX file in the Browser and select "Send to new SampleOne," all slices are imported into SampleOne, and a new Instrument Part is created. Alternatively, you can drag the whole REX file, or individual slices, into the arrangement.
Several changes have been made to the Native Effects plug-ins. The Pipeline plug-in has gained a scope that enables you to manually alter the offset (in samples) for latency compensation. The scope displays send and return signals on top of each other and shows you the difference in real time, enabling you to manually adjust delay compensation, which is much more accurate than the automatic delay compensation found in some DAWs. In addition, latency compensation has been enabled for effects on input channels, so if you put an effect on an input channel, the software will ensure that the recorded track and processed input remain aligned.
Plug-ins can now be bypassed, and this can be automated. A new Level Meter plug-in provides an extra-large peak/RMS display. The PreSonus Presencea„? virtual instrument has been redesigned, upgraded to 96 voices, and enhanced with effects, including modulation effects, pan, delay, distortion, gate, reverb, and a 7-band graphic EQ with settings for Lead (center frequencies range from 50 Hz to 10 kHz) and Bass (100 Hz to 6.4 kHz). The Impacta„? virtual instrument adds Velocity layers, an envelope Hold parameter, and a multimode low-pass, bandpass, or high-pass filter with 12 dB or 24 dB slope. To load effects to a specific output channel, just drag the effect onto a pad.
The Spectrum Meter plug-in and the spectrum meter on the Project page (in Studio One Pro) have gained average and peak-hold level indicators with variable time intervals for precise level analysis across the frequency spectrum. A new Scope plug-in provides in-depth oscilloscope functions for troubleshooting and measurement within Studio One, including three independent/overlaid channels with stereo and sidechain input selection and a mathematical operation channel (A-B, A-C, and B-C).
We've also added support for VST 3.1 Knob Mode.
Version 1.6 also includes several MIDI enhancements. The file Browser has gained a MIDI preview player that sends the MIDI data to a selected Instrument Track for playback. The player displays the MIDI file's length in bars and the number of notes in the pattern. Previously, MIDI quantization only affected Note On messages; now note ends (Note Off) can be quantized, as well. The Gate plug-in now sends MIDI note messages-perfect for drum replacement. Furthermore, MIDI files can be expanded in the Browser, and individual tracks can be dragged into the arrangement. Mackie HUI support has been added, enhancing your ability to use control surfaces with Studio One.
The export features have been significantly improved, including the ability to export entire channels as stems, complete with buses, effects, and instrument returns. In addition, when you export adjacent regions (between markers), you can now create custom-length overlaps at the head and tail of each region so that you can crossfade between the exported files. This works sort of like a pre-roll and post-roll. Studio One creates a folder for each region with a name derived from the marker name.
Welcome to Studio One
More Muscle. No Bloat.
Artists of all levels, from beginner to seasoned professional, will find Studio One a serious alternative to the intimidating, bloated offerings currently considered the standards. It's a groundbreaking music creation and production application for Mac OS X and Windows XP/Vista/7 that makes audio recording, MIDI sequencing, and audio mastering ridiculously simple right out of the box.
Studio One changes the rules of the game with fresh code, innovative drag-and-drop MIDI mapping and plug-in management, auto-configuration with PreSonus hardware, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page.
And although Studio One Pro hit the scene just a year and a half ago, we've already added even still more pro chops with Version 1.6. From tracking to mixing to mastering and distribution, it's the creative environment built for intuitive use, speed, and efficiency–and yet it's robust enough for the most complex productions.
80+ v1.5/1.6 enhancements but still uncluttered and simple to use.
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